PRINT IS NOT DEAD

"franca sozzani, ze werkt in extremen.
bijvoorbeeld met die olie ramp in amerika
Had ze een maand later in vogue Italia een gepubliceerd met modellen onder de olie.Of de photoshoot van ysl met de parfum met naakte modellen"
→ what is the point
→ covers in covid times
→ covers activisme
→ advertising
→ photographers



dazed:
back to life:   ⁠⁠
⁠⁠


"as we emerge from lockdown stasis to join hands again, our summer issue celebrates the power of collective spirit to change everything. The first cover sees Editor-In-Chief @ibkamara team up with @roversi to mark the historic NHS vaccine drive as it reaches younger parts of the UK population."
⁠⁠
→ example

vogue korea, september, 2020
photographed by min hyunwoo,

edition grandma's
there is no better example of Min’s approach than a recent shoot he completed for Vogue Korea, centring on the much-needed theme of hope. Growing out of one photograph Min took in a chance meeting, he soon developed the idea to travel to villages and take photographs in which – breaking with tradition – the models would be grandmothers, capturing their wisdom and wit in each shot.



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HYBRID PUBLISHING
Fashion + Activism
How does fashion respond to current topics? Such as covid, pollution, racism etc. How is this reflected in the covers of the magazines.

The publication came from an interest in collecting fashion magazines. I started collecting beautiful images, on an early age, out of a great love for photography and fashion. As I got older a deeper interest in the origin and idea behind the images grew. My private collection expanded into international fashion magazines. How does the fashion world react to current topics. In what way is this visualized in the past 5 years.
- fashion
- documenting
- lifestyle
- art/autonomous
- 50 instagram accounts
- photography tools
- photography lenses
- digital or analogue
- interviews
- photographers in Rotterdam
- paul kooiker
- de jong
- carlijn jacobs
- history covers vs now
→ example

dazed magazine, summer issue 2021
by ib kamara

“If my friends like my work, that’s not important. If my 17-year-old sister gets it, then I’ve done my job”
Under the proposition ‘Collective Spirit’, the Dazed summer issue boasts an array of seven uncompromising covers. With ideas spanning ‘Cultural Coexistence’ in Guangzhou (exploring how the migration of workers from north and west Africa has changed the cultural make-up of the city) to ‘Nigeria Now’ (uncovering the new generation of activists in Nigeria), each one serves as a rich tableau of our times. “I was reacting to the lockdown, and to real issues in a way that was very immediate,” Kamara explains. Impressively, this immediacy is achieved without haste, insensitivity, or lack of imagination. On the Guangzhou cover, Kamara is particularly vocal: “We can have diversity in the West, but I wanted to go one step further and create a conversation about diversity in China.” “An image should stop and make you think. Either you hate it or love it — but if it doesn’t make you feel anything, then it hasn’t done its job.”
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